oops fittings of every woman in the town. Paresh Rawal sums up for Laxminarayan 3 who proudly proclaims to read the innermost feelings. Perhaps that's the only realistic scene of the film as the audience can completely relate with his boss' sentiments. His boss abuses him with the choicest of 'familiar' profanities for his annoying and irrelevant left-right-left questioning sessions. Suniel Shetty arrives as Laxminarayan 2 with all his dialogues designed to end with an interrogation mark, something more grueling than the constabulary grilling. The girl justifies their chemistry quoting, "I design underwear because I was always fascinated with the underworld". amongst the cast of the film), the director makes him indulge in an affair with a Madrasi Miss (Esha Deol) who designs underwear. As he is the only eligible bachelor (i.e. He's on his last chance to redeem himself in the underworld with a contract killing. Despite repeated attempts he fails to make it big in the mafia (or movie-dom). Tusshar Kapoor as Lamxinarayan 1 plays a wannabe don which is as much analogous to his real-life character of a struggling actor. One Two Three has three persons by the same name who land up at the same hotel to induce you the same trauma of watching the same slapstick story again. Were the bard alive today, he would have only apologized for coining a phrase that instigated Bollywood to make a frenzied film hell-bent to prove the idiom wrong. 'What's in a name' said William Shakespeare.
While David Dhawan and Priyadarshan have partially applied this formula in their films, director Ashwini Dheer excogitates his entire movie on this convention. The plot of One Two Three is devised on the archaic idea of mistaken identities to conjure up a comedy of errors.
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